Ban Apinihan 29/4/2020
On Facebook people are posting videos of empty cities. In places
like Cincinnati or Melbourne wild animals roam the streets. It has taken them
such little time to reclaim that which is ours. I heard on the BBC that Yosemite
Park has become itself again and that bears are sun-bathing in parking lots. Waddles
of ducks are walking down the streets of Paris, past the grey pierre de
taille buildings and closed charcuterie shops.
All of this because human movement, if not human activity,
has ceased. Humans have receded to their technological trickles, grasping at
their civilization with whatever tools we still have: Internet, books, Netflix…
In my generation the radio was our tribal drumbeat. I remember
when John Lennon was murdered and an entire swath of baby boomers turned off
their television sets and just listened to Beatles music on the radio. We didn’t
want the image pollution and reporters’ questions, we didn’t want to see the
blood on the sidewalk. We just wanted his music.
We have far more distractions today. I myself confess an
addiction to House of Cards.
Vientiane itself is so close to being invaded by nature
anyways, despite the native blindness to garbage, that not much has changed
here.
Near our house a huge tract of land is being levelled to
make way for a future impeccable suburban project. Fine. Come what may.
Have any of you noticed that when people only consume what
they need the economy tanks?
Singing the song from The Book of the Jungle, my children as
me to explain the English expression, ‘the bare necessities’.
You can watch the empty world here: https://www.skylinewebcams.com/
Ban
Apinihan, 28/4/2020
Is it a
forgotten city? I have always thought of her as such. A mole of forgetfulness
in the Mekong plain going about her little business.
During the
days of the lockdown the city, never a strong force in our lives, receded into
a distant noiseless approach. Parties were at a muffled distance, traffic a
seldom rumour.
Last night
blended perfectly in from yesterday afternoon when I had some errands to run in
town and instead of coming home directly I rode along on the city’s ring roads,
past the Settatirat Hospital and into the courtyards of the open and
illuminated temples there to confide amongst the gold-tinted reclining Buddhas
and lone courtyard trees.
The streets
were growing. People were out, shops were open and men sat drinking beer
together. The lockdown is to be lifted on Monday next, in one week and already
the people of Vientiane are spreading their wings. The traffic is buoyant if
delicate, subdued yet flourishing. Everyone wore a mask as a concession to the
orders.
Like every
man with a family to care for at the edge of this brave new world, like every
blindfolded sucker waiting for the axe to drop and the future to come smashing
on our plans with its sharp and inevitable blade… like all men everywhere I
sometimes look into the precipice and ask myself, wondering out loud. Whether
there will be a world for my children.
In the
midst of dark and frightening thoughts, thoughts like a granite gargoyle, thoughts
as welcoming as a cob-crypt I found a meadow, a spot of forest and then, just
then, I got a telephone call from people I had not seen or spoken to in twenty
years; people who have always stayed in my heart, tucked like a reserve diamond
in a refugee’s coat; a little wooden box I would open now and then to preserve
their beauty.
And there
they were. On WhatsApp. Older, yes, and still the same grace and humility,
still the same love song to life and it came to me – the dry stone hills of the
Galilee, the little hippy community of goat-cheese makers, the lone
wood-burning stove in the living room of the old stone house. Rosh Pina.
The call
from my past, their accented Hebrew, the inevitable joy and resignation.
Sickness, old age, forever flourishing.
That is
when I went temple hopping. The gates were open and the lights were on and at
every corner the bright and accepting silent receiving of the Buddha statues.
The delicious placidity and sweet gecko calls, the flying ants smothering the
naked light bulbs carving halos through the night.
From temple
to temple, like sailing through Greek islands until I made it home.
Ban Apinihan, 26/4/2020
In the face of a hangover all bravery, every indication of
salvation, runs busy body past the starting line; in the opposite direction,
cheered upon by the adversaries and to the dismayed exaltations of the losing
side.
Alcohol is the great flattener, the fermented or distilled
answer to longevity. Morning lungs are sore, the head pounds inexplicably,
members shatter their previous mastery and tremble precariously.
I remember sunrises full of grace, sunlight peering from
below a purple horizon and filling the sky like a breath. I remember dotted
stars fading before the majesty. I remember the sliver of the moon made
transparent by sun’s rising tide. I remember heartfelt thanks as morning dew
kissed grass blades and petals farewell. I remember the dank dark soil
murmuring its Song of Ascents while butterflies and dragonflies caressed the
air.
But today I awaken at noon to my darkened room, for I had
the foresight to close the impending light out before collapsing the night before.
Slivers of light at odd angles crash in through the wooden tiles and settle
there, blinding if small, a concentrated hit, on an ancient beam or
illuminating a fastidious spider web.
Outside voices from the lake tell me that the fishermen and
women are out, foraging amongst the sweet water weeds under the shade of shore
trees. Life, the thing I left behind with my half-finished glass of Cahors, has
somehow managed to go on without me, has somehow managed a kick start of
cockcrows and ruffled feathers and with that the villagers exchange gossip or
talk about food. I can hear their sturdy palms flatten the water to drive the
fish into their nets. In my mind’s eye I can see them peeling the tiny black
shellfish off the river grass and can hear them being dropped into floating
baskets.
I stumbled from bed this morning, made it to the balcony
door and opened it as an old man would a birthday present. The light of day
collapsed upon me, exclaiming Holy! Holy! Holy! From your vicious and head
wracking hangover, from this debilitating state of affairs we – the water and
the light, the ripples and the spider webs, the voices and the pounding, the
trembling and the weakness….
….from all this we will sublimate a morning.
Ban
Apinihan, 25/4/2020
In the
meantime the ancient lake, home of battles and battalions, armoured Indochinese
knights wrestling cursing mythical snakes, is cloud-washed, drenched in its own
circle of rain and pause, a place where some things will never surface.
Blue-grey
clouds, their visible layers melting off into a light grey blanket; a line of
distant cocont trees with one standing naked and bereaved; the slow moving
fishermen and women casting their triangular bamboo nets into the murky waters;
the silence of the pre-monsoon plain as it veers toward smoothingness, distant
rooster calls and the fishermen walking stealthily through the waist-high
water, their bodies bent forward as though they could see their feet through
the primal muck.
A fisherwoman
lifts her net out the water to examine her catch but is only rewarded with
drops of water, rivulets streaming down the white net; nothing more. She is
dressed from head to foot, her hat covered with a plastic bag and floating
beside her is a tiny boat filled with drinking water and food and cigarettes
and a lighter.
The sun,
also rising, does so behind a canopy of cloud and the air, untainted by the
smell of burning garbage is as clear as Creation.
And to think
this will all happen and has always happened and is happening now: an insect
call, a flutter of wing, a bending blade of grass, wavering flowers crowning every
bough, the tight brotherly coconuts huddling against ripening time.
There are
no silent killers here. All of them can apply as much stealth as they wish;
there will always be a munching. There will always be a distant cow and
somewhere in the lost and tucked-in country side beyond a morning fire will
cackle and blaze for sticky rice and breakfast vegetables. Somewhere a father
will be collecting his tools and a mother washing out a black and dented pot,
somewhere the wood plank and bamboo kitchen veranda will be awash with splashed
water, bits of food scattered between the floor boards to feed the chickens,
geese and pigs below. Somewhere the eternal Asian morning will begin afresh as
though no one had ever turned off the lights, as though the sun had never set
the evening before and as though the stars had not dotted the shrill tropical
night with its drowsing bird calls and insect rushing cackles.
And yet the
morning freshness is there to tell all and to speak of the evaporating night
chills to speak to the dews upon the naked mountain flanks, to speak to the
heavy clouds calling out of the valleys.